Tuesday, October 10, 2017
"Persistence of Memory" was a collaboration between two of comic's modern titans, Walter Simonson and Art Adams, that appeared in the August 1991 issue of Disney Adventures. Both creators were life long dinosaur fanatics, dreaming of becoming paleontologists as kids, so this little 8-pager must have been an exciting dream project for them. Why it appeared in a small digest-sized Disney magazine for kids, and remained mostly obscured from their fans all of these years, i'm not sure. I noticed that the late Len Wein was the Editor-in-chief of the magazine's comics sections, so i'm assuming he had something to do with bringing this pet project from two of the most known dinosaur fanatics in comics together.
until it is given a new home, ideally printed somewhere at full size rather than the criminally small 5x7 dimensions of the digest, here are some high res scans for scholarly review.
Wednesday, June 14, 2017
here's a very early interview with Adam Hughes soon after he broke into the mainstream with Justice League America in December 1989. it was originally published in DC Direct Currents #23.
here's an interview from 1989 with Walter Simonson, originally published in DC Direct Currents #18. it is a priceless look into the formative years and early career of one of the all time great comic creators.
Monday, May 23, 2016
Back in early 1988, well before the internet and especially before geek culture took over the world, information on comics and their creators was a little more tricky to come across. Especially when you were a 12-year old dork in the middle of nowhere like i was. enter Comics Scene magazine, an offshoot from the publishers of Starlog. i was just awakening to the potential of comics, as a reader and as a young creator, and this magazine opened up doors to works that would have taken me years to stumble upon otherwise. Comic Scene didn't just focus on superhero stuff (tho this issue did sport a great McFarlane Spidey image, so my Todd-obsessed self was beyond stoked). They shed light on some of the best creator owned works from that time: Dave Stevens' "The Rocketeer." Bob Burden's "The Flaming Carrot." Howard Chaykin's "American Flagg." The Stephen Bissette-edited anthology "Taboo." all-time classic stuff, and i'm thankful i was told about it so early on.
Although this is technically issue #2 of a third incarnation of the magazine, this is the first i had seen, so it's pretty near and dear to me. Comic Scene went on a pretty great run over the next several years, and i grabbed a copy whenever i chanced upon one. It was always well written with informative interviews, every piece of art had an accompanying artist credit which i constantly studied, and much of the magazine was in full color. there were other comic-related magazines at the time, but i sure never saw em, mostly because they were only available through the comic shop direct market and there wasn't a store around me for a hundred miles. Comic Scene was the most accessible, sitting right there on the rack at the grocery store. and there was no pretension from the Comic Scene crew, unlike most of the other mags. all comics were great comics, whether it was superhero stuff, bizarre off the wall shit, or dark horror. it is still a fascinating artifact from that time, deeply informative and highly entertaining. check it out.
here is a sample of some of my favorite bits from #2:
Friday, January 22, 2016
(Note: Didier Comes and his work are very new to me. if my information here is incorrect, let me know so the proper changes can be made. thanks. ~kojak)
Didier Comes (Belgium 1942 -2013) began work on his comic Ergun l'errant: Le Dieu Vivant (The Wandering Ergun: The Living God) for the French comic magazine Pilote in 1974, but the series was canceled and revived in the Belgian magazine A Suivre in 1980. This Spanish translation was released that same year. Didier creates a bold mix of Kirby and Steranko filtered through his more lush European sensibilities, with masterfully designed costumes and set pieces. As far as I can tell, there have been no recent European editions, and there has never been an English translation. Hopefully there is a publisher out there who can change that. Until then, here is the entire volume, for scholarly review.